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Thursday, 31 December 2009 15:03 |
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Well, it's nearly 2010 now, and I've created a couple ways for you to keep an eye on my 'Song A Week' project, if you want to join me on my little musical adventure each Friday throughout the year.
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Tuesday, 15 December 2009 20:11 |
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So after the release of 'Selected Demos 2002-2009' I've been trying to work out what I'm actually gonna do next, and after some thought I've decided to take on a similar project to US solo artist Jonathan Coulton, if you don't know who he is then check him out here.
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Monday, 26 October 2009 00:00 |
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Following some great reviews the new album ‘Selected Demos 2002-2009’ is finally out and you can download it from this very site completely free. Also as an added bonus for every full download of the album that occurs, I personally, am going to donate ten whole English pence to the wonderful Mashi Foundation.
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Sunday, 11 October 2009 22:17 |
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The music is nice and sweet, the vocals are nice and sweet but the lyrics are filled with disappointment and bitterness and I love it. Halfway between Eels and Randy Newman, Adrian Killens takes the soft music style and layers it with an uncharacteristic anger that creates a juxtaposition of style and content to create a collection of songs that are endearing, funny and thought provoking.
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Whisperin' and Hollerin' Review |
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Sunday, 11 October 2009 00:00 |
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"This is the first time I've heard of/from Adrian Killens and its been all my pleasure. The impression I get is of a bedroom enthusiast, a musician in exile, recording for pleasure and as part of a pre-determined daily practise. The production here is clearly that of a home recorder - working with the limitations and imperfections but leaving them listless and
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Monday, 28 September 2009 16:12 |
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"SELECTED DEMOS 2002-2009 is something of a revelation. ‘Prettyish’ opens the collection with a nicely strummed intro that winds its way through the whole song. Vocally, Aidy has a young, rather sweet voice. The song is strongly melodically and lyrically, while production is surprisingly good. A dark and reflective start to the album. ‘22′ is an altogether rockier affair with blanket electronic guitar riffs dominating with Aidy’s voice just managing to show through the dirty haze.
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